Talk About Gothic Metal

Gothic is a term that is "difficult to pin down". Some commentators have suggested that there is an underlying Goth ideology, mindset or a set of common values but there is "little agreement about precisely what this might involve".The author Gavin Baddeley describes the gothic aesthetic in the following way.“ Gothic is sophisticated barbarism. It is a passion for life draped in the symbolism of death. It is a cynical love of sentiment. It is a marriage of extremes such as sex and death. It uses darkness to illuminate. It believes duty is vain, and vanity to be a duty. It is the compulsion to do the wrong thing for all the right reasons. It is a yearning nostalgia for the black days of a past that never was. It denies orthodox reality and puts its faith in the imaginary. It is the unholy, the uncanny, the unnatural. ”


The term gothic entered heavy metal music with the release of Paradise Lost's Gothic album in 1991.Since then, fans have often been at odds with one another as to "which bands are, or most definitely are not, authentically Gothic". Some musicians have disputed the gothic label associated with their bands, including Rozz Williams of Christian Death and Andrew Eldritch of The Sisters of Mercy. In the gothic metal subgenre, members from such groups as After Forever, HIM and Nightwish have similarly downplayed or dismissed the gothic label from their music.

Gothic metal or goth metal is a subgenre of heavy metal music. It combines the aggression of heavy metal with the dark melancholy of gothic rock. The genre originated during the early 1990s in Europe as an outgrowth of death/doom, a fusion of death metal and doom metal. The music of gothic metal is diverse with bands known to adopt the gothic approach to different styles of heavy metal music. Lyrics are generally melodramatic and mournful with inspiration from gothic fiction as well as personal experiences.

Pioneers of gothic metal include Paradise Lost, My Dying Bride and Anathema, all from the north of England. Other pioneers from the first half of the 1990s include Type O Negative from the United States, Tiamat from Sweden, and The Gathering from the Netherlands. Norwegian band Theatre of Tragedy developed the "beauty and the beast" aesthetic of combining aggressive male vocals with clean female vocals, a contrast that has since been adopted by many gothic metal groups. During the mid-1990s, Moonspell, Theatres des Vampires and Cradle of Filth brought the gothic approach to black metal. By the end of the decade, a symphonic metal variant of gothic metal had been developed by Tristania and Within Temptation.

In the 21st century, gothic metal has moved towards the mainstream in Europe, particularly in Finland where groups such as The 69 Eyes, Entwine, HIM, Lullacry, Poisonblack and Sentenced have released hit singles or chart-topping albums. In the US, however, only a few bands such as Lacuna Coil, Nightwish, and Evanescence have found commercial success.


The music of gothic metal is generally characterised by its dark atmosphere. The adjective "dark" is commonly used to describe gothic music in general while other terms that are less frequently used include deep, depressing, romantic, passionate and intense. Gothic metal has also been described as "a combination of the darkness and melancholy of goth rock with heavy metal". Allmusic defines the genre as a fusion of "the bleak, icy atmospherics of goth rock with the loud guitars and aggression of heavy metal" and further notes that "true goth metal is always directly influenced by goth rock - ethereal synths and spooky textures are just as important as guitar riffs, if not moreso"